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Amid modest surroundings of fields or small towns the socalled Roma palaces seem improbable even outlandish but reveal a quest for status within a marginalised and mostly poor minority Romanian architect Rudolf Graef said that although often ridiculed as “absolute kitsch” the style of the “Roma palaces” should not be dismissed It “reflects paradoxically a part of.
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Though his statements may initially appear excessively abstract (“kitsch is the absolute denial of shit”) they are not trivial ideas and may help to understand why writers have argued that kitsch is dangerous such as Hermann Broch who pronounced that “the producer of kitschprofoundly desires evil”4.